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Gender, Race & Modernism after the Second World War by Whitney Chadwick
“The emergence of an American avant-garde, along with a body of formalist criticism centered in the writings of Clement Greenberg and his followers, dominates traditional art historical accounts of...
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Art Criticism: A Pan-African Point of View by Keith Morrison
“Are there ideas native to Black artists that critics overlook? The question has been asked many times before but the answers have not led to change that the overwhelming number of Black artists would...
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